Godzilla The Criterion Collection

Summary Details: Godzilla a.k.a'. '.strtoupper('g')ojira is the roaring granddaddy of all monster movies'. '.strtoupper('i')t’s also a remarkably humane and melancholy drama, made in japan at a time when the country was reeling from nuclear attack and h bomb testing in t...
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Godzilla a.k.a'. '.strtoupper('g')ojira is the roaring granddaddy of all monster movies'. '.strtoupper('i')t’s also a remarkably humane and melancholy drama, made in japan at a time when the country was reeling from nuclear attack and h bomb testing in the pacific'. '.strtoupper('i')ts rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning more than thirty sequels'. '.strtoupper('a') thrilling, tactile spectacle that continues to be a cult phenomenon, the original 1954 japanese version is presented here, along with godzilla, king of the monsters, the 1956 “americanized” version.film info• japan• 1954• 96 minutes• black white• 1.371• japanese• spine 594• high definition digital restoration of godzilla, king of the monsters, terry morse’s 1956 reworking of the original, with uncompressed monaural soundtrack• audio commentary for both movies by film historian david kalat• interviews with actors akira takarada and haruo nakajima and special effects technicians yoshio irie and eizo kaimai• interview with legendary godzilla score composer akira ifukube• featurette detailing godzilla’s photographic effects, introduced by special effects director koichi kawakita and special effects photographer motoyoshi tomioka• interview with japanese film critic tadao sato• the unluckiest dragon, an illustrated audio essay featuring historian greg pflugfelder describing the tragic fate of the fishing vessel daigo fukuryu maru, a real life event that inspired godzilla• trailers• plus an essay by critic j'. '.strtoupper('h')oberman• cover by bill sienkiewicz

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